Yeah, and I tried Tenacity, and it doesn’t want to work at all. Guess I’m sticking with old Audacity.

Hmm. You are correct. On both my Windows and Linux machines, I am on Audacity 2.4.2. I’ve been using it for years, now. I never changed my sources, and it never stopped working. Haha!

Doesn’t sound like they actually went through with it?

They did not. I use Audacity regularly on more than one platform. It collects no data from me. It also hasn’t received an update in years, but still does exactly what it needs to do, and does it well.

That said, I hadn’t heard of Tenacity until this thread, and it looks like I shall be migrating over to that anyway. Better safe than sorry.

Agreed! A good, campy action movie is great. The problem with Mission Impossible is that it otherwise took itself entirely seriously.

The first time I remember absolutely losing my suspension of disbelief was at the end of the first Mission Impossible reboot where Tom Cruise puts an explosive on a helicopter he’s hanging on the outside of that’s flying behind a train through a tunnel, and the explosion completely destroys the helicopter and flings him onto the back of the train. Yeah, that helicopter (which probably couldn’t be flying through a train tunnel to begin with) was made of far tougher material than Tom Cruise. Any explosion that destroyed it, would have turned him into a stain on the wall of the tunnel.

Not in the books, it isn’t.

You can’t absolve “us” of all the responsibility. We wouldn’t be in this situation if the masses weren’t so easy to manipulate into supporting corruption. The vast majority of us would take the quick-and-easy-yet-destructive path over the long-and-hard-productive one most of the time. Remove those 100-or-whatever by violent revolution tomorrow, and someone else will rise to the top of the stink heap the next day. Real change requires sacrifice at all levels of society.

마자

The taste is OK, but they will shred your mouth.

Oh definitely. It wasn’t that long ago there were some pretty hard times here. The older generation remembers.

This is Korea. For whatever reason every single animal they consume that has unpleasant bits inside, they leave em in. Bony fish, bony chicken, grisly pork, soup full of shelled shellfish, and shrimp with tails. Hell, frequently entire shrimp head and all. Also locally where I live they have these different shrimp that have I dunno extra tough and sharp carapace. They don’t even try to shuck those things.

The best I can figure is that the 4M$20 track was popular on a streaming service that pays better, and vice versa for whatever reason.

That’s more than $45!

I got free beer at a show once 20+ years ago, too.

I pay Distrokid ~$20 a year to distribute my music to a lot of streaming services, but I do not pay individual streaming services. I never really expected much return. I wasn’t disappointed! Haha!

Maybe some kind of increasing scale for revenue depending on larger numbers of listens.

My break down by track is pretty inconsistent, too. I’ve got a single track with over a million listen that made me 36 cents. My most popular track has over 4M listens, and it’s responsible for half that $45. Distrokid doesn’t say which streaming service that revenue comes from, either. Some pay more than others, I imagine.

I have to wonder about the logistics. He can’t be running them on his own single Internet connection. Or could VPNs handle it so it would appear his listens are coming from all over the world? $10M is a lot of money. How long did it take to amass that?

Me? Honestly, I think it would be obvious to any discerning listener what music is actually made by a person, and what music is AI generated, but really, there’s so much music out there of wildly varying quality thanks to accessibility of production tools these days, it probably is literally impossible to tell the difference anymore.

Searching my username should do it. Not sure what streaming services you’re subscribed to. It’s all on YouTube, too.

A little bit, for sure. Tempered harshly by the fact I’ve spent thousands of hours and thousands of units of cash on a hobby that paid me back $45. Good thing I don’t do it for the money!

Wow. I’m a hobbyist musician. I have ~12 million listens across various streaming services and have made a whopping $45 in the two years since I finally released ~25 years worth of material. (Which is a lot of why it’s my hobby and not a living.)

I can’t imagine the numbers this guy had to pull off to make that much.

If you can afford it, absolutely.

There’s also an argument to be made for good equipment making a hobby more accessible. Musical instruments especially. It’s almost always much harder to make a cheap musical instrument sound nice than it is a good one. From clarinets to guitars to synths. I wouldn’t be surprised if half the people who quit an instrument do so because they’re trying to learn on a $100 Walmart special, something that ironically would only sound good in the hands of a professional who wouldn’t touch it in the first place.